Post by account_disabled on Mar 11, 2024 21:36:35 GMT -7
Thomaz G. Meanda from São Paulo, currently lives in the capital of São Paulo, works in the areas of plastic arts, working mainly with the language of drawing. Most of his production focuses on the theme of existential questions of human nature.
His first canvas, dated 2000, was the result of his first painting classes in a free course with Alfonso Ballestero São Paulo, and since then he has studied with some renowned teachers such as Dudi Maia Rosa, Magnolia Costa. Nowadays he uses many different techniques depending on the subject. that you are treating.
The artist participates in the Salon with a series of drawings.
Text by the artist about the works:
Fear, emptiness, death, life and longing are the Czech Republic Mobile Number List themes explored in this series of five works, each a triptych. Everyday objects function as visual poetry. There is a balance, a cadence, a rhythm when moving from one work to the next. More than ending in an explanation or something like that, the work opens doors to new poetics.
I don't like to end a work or a series with explanations, I like their nature of leaving the door open for new interpretations, for new poems.
I can say that I work with what touches me, what catches my attention in an existential impetus. Be it people on the edge of society and how they are dehumanized and their voice taken away. It hurts me, it touches me. I'm also touched by the psychological problems we all go through, panic, anxiety, a constant frustration with how the world is constructed and how it works. And how this whole world differs from our purest desires. I think I can say that I work with existential questions. Personal and collective. I always hope from a work that it teaches me something new, I enter into the openness of the new and let myself be carried away to face whatever is necessary and come out on the other side more enriched as a human. I hope the works go through this process and can help others to see themselves too.
I work with visual poetry, with my heart in fantastic realism.
His first canvas, dated 2000, was the result of his first painting classes in a free course with Alfonso Ballestero São Paulo, and since then he has studied with some renowned teachers such as Dudi Maia Rosa, Magnolia Costa. Nowadays he uses many different techniques depending on the subject. that you are treating.
The artist participates in the Salon with a series of drawings.
Text by the artist about the works:
Fear, emptiness, death, life and longing are the Czech Republic Mobile Number List themes explored in this series of five works, each a triptych. Everyday objects function as visual poetry. There is a balance, a cadence, a rhythm when moving from one work to the next. More than ending in an explanation or something like that, the work opens doors to new poetics.
I don't like to end a work or a series with explanations, I like their nature of leaving the door open for new interpretations, for new poems.
I can say that I work with what touches me, what catches my attention in an existential impetus. Be it people on the edge of society and how they are dehumanized and their voice taken away. It hurts me, it touches me. I'm also touched by the psychological problems we all go through, panic, anxiety, a constant frustration with how the world is constructed and how it works. And how this whole world differs from our purest desires. I think I can say that I work with existential questions. Personal and collective. I always hope from a work that it teaches me something new, I enter into the openness of the new and let myself be carried away to face whatever is necessary and come out on the other side more enriched as a human. I hope the works go through this process and can help others to see themselves too.
I work with visual poetry, with my heart in fantastic realism.